Nata Yanchur

"The author manipulates photographs of real objects, supplementing them with pictorial elements, creating an image that is flexible and capable of all kinds of transformations. Possibilities of digital painting and various aspects of the artistic image manifested and the digitized image of a material object becomes part of the artist's palette. Getting into a new context, a new environment, intertwining with other lines and forms, loses its original designation and plays a new role in artwork."

Digital autocracy in the work of Nata Yanchur, Afisha.London magazine
"But what are we going to make of automated apophenia? Are we to assume that machinic perception has entered its own phase of magical thinking? Is this what commodity enchantment means nowadays: hallucinating products? It might be more accurate to assume that humanity has entered yet another new phase of magical thinking”. Nata captures the presence of magical thinking and focuses the viewer’s attention on their own perception. At the same time, there is no classification or applied function in her works. Yanchur’s painting refuses to fall into the classical hierarchies of art history, but naturally merges with modern visuality."

Nata Yanchur: Modern visuality and automatic patterns, Cucumber Mag
"Here each individual work has its own aesthetic and artistic value. But in a series, becoming part of a series — being in a cluster of masses of similar ones, another perception of the artistic image is born. The newly formed mass becomes a new work."

Nata Yanchur: Avant-Garde Schizophrenic farce, Syg.ma
Endless Exhibition
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Projects
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Abstract with eyes
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Traditional medium artworks
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Murals
Nata Yanchur, artist based in London, UK, born in 1990 in Minsk, Belarus. The sphere of her professional interests is visual arts: painting, drawing, digital art. In 2022, she achieved endorsement as a Global Talent by the England Arts Council.

She is currently deeply engrossed in research and development efforts focused on shaping the contemporary language of painting. Her primary objective is to create a vibrant and memorable art form that responds to the challenges posed by the overproduction of visual imagery, the pervasive influence of the digital landscape, the integration of artificial intelligence, and the overarching dominance of algorithms. Through her work, she diligently endeavors to cultivate a deeper appreciation for the art of seeing and its profound implications for our perception of the visual environment.

She participated in the numbers international projects and exhibitions: "Frieze exhibition on the fireplace (in 5 acts)", London, 2024; "Trash" by Bad Art at Greatorex Street Gallery, London, UK, 2024; "Merger", The Regent's Park, London, UK, 2024; Shapes & Things, group show at Projection Room, London, UK, 2024; "Troubling Postures", group show, Lambeth Courthouse, ual: Central Saint Martins, London, UK, 2023; "Juicebox" by Fresh Salad, group show, RuptureXIBIT gallery, London, UK, 2023; "Give a care", group show, Gallery Popstreet Shop, Hamburg, Germany, 2022; “Passing Exhibition”, group show, New building of the Gogol House, Moscow, Russia, 2022; “Where is the childhood”, group show, YulantaART, Karaganda city, Republic of Kazakhstan, 2022; "Balls and circles", group show, gallery XL, Winzavod center for contemporary art, Moscow, Russia, 2021; “Digital”, group show, The BronxYard, Moscow, Russia, 2021; “Andy Warhol and Russian Art", Sevkabel port, center of contemporary art, St. Petersburg, Russia, 2021; "Agitations", group show, gallery "Sreda", exhibition hall "Cube", The Ritz-Carlton, Moscow, Russia, 2021; Exhibition by the art-group "Red Circle", CCI "Fabrika", Moscow, Russia, 2020; "Pearl Button", Second Apartment Triennale, Samara (Victoria Gallery), Russia, 2020 and others.


Collage
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Exhibitions
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