Blurred, diffuse, fluid, like a passing cloud, elusive and transparent, a background object over which lies another semi- transparent layer, but this one is outlined, captured and fixed, given the form of a recognizable image. Despite its profound pictorial quality and fluidity, the work creates a sense of digital touch that imitates painting, or perhaps an imitation of the imitation of a painterly image through contemporary visual signs.
Premium Fine Art Print from an original acrylic painting on paper, enhanced with digitally added sticker elements. Limited edition of 100, hand-signed and numbered by the artist. Size: A3 (29.7 × 42 cm)
The static painterly mark functions as a latent image, activated through networked animation into a field of absurd memetic entities. Situated between painting and screen culture, the work examines the collapse of visual hierarchies in the post-internet condition described by Hito Steyerl, where circulation outweighs origin and attention itself becomes the medium. The resulting experience mirrors a consciousness continuously reassembled by feeds, glitches, and the compulsive grammar of digital presence.
Pigs on the tree
Canvas, acrylic, mixed media 170x220 cm, 2024
An allegory of a branching tree, mimicking digital painting yet created in an original medium that depicts an imitation of digital art, oscillates between an echo of pop art and an attempt to confound the viewer's perception of the observed object. This is complemented by multiplying pig snouts, moist and succulent. The artist's vision of contemporary painting is thus rendered: slightly absurd, vivid, and profoundly impactful.
The wriggling like a snake abstraction finds a point of support for its sprawling construction in two spots that keenly peer out from the canvas. Glossy, bright red stripes, a rough and muted green background—the artist continues to insist on the imitation of digital elements in a painterly medium, blurring the distinction between fragments taken from the observable world and those adapted from algorithmic components, softened by brushstrokes.